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October 09, 2006

Knit Pattern: Nigiri Sushi Baby Wipe Cozy

Nigiriclosed_1

Nspreview
click on images for larger view

Now available as a download for $3.50 via my Lulu storefront! You can order a printed brochure via Lulu as well, but the cost is much higher. If there is a lot of interest, I may do a run of printed patterns for sale, so let me know if you'd prefer to buy a printed pattern. This pattern has been knit by pattern testers as well as illustrated and formatted by Cindy Moore, so hopefully there are no errors. If you find one, please let me know. Enjoy!

Tools and Materials:
1 pair US#5/3.75 mm knitting needles (straight or circular as you prefer)
tapestry needle
coilless safety pin or other removable stitch marker
tape measure or ruler
Tissue Box/Baby Wipe Cozy:
tissue box or baby wipe box for use as a fitting model
Stuffing (such as scrap yarn, cotton batting, polyfill) for topping(s)
Optional: reinforcement for sides (plastic needlepoint canvas, empty and clean juice carton, etc.)
Stuffed Pillow/Toy:
Stuffing (such as scrap yarn, cotton batting, polyfill) for base and topping(s) or foam padding, cut to appropriate size
Yarn
My test knitters and I used Blue Sky Alpacas Dyed Cotton for the samples in the photos. Blue Sky Alpacas Cotton is a worsted weight 100% cotton yarn that will shrink a little after washing. You may substitute any smooth worsted weight yarn of your choice.
Maguro/Tuna:
Blue Sky Alpacas Dyed Cotton, tomato (619 red), 100% cotton, 150 yds/100g, 1 skein
Blue Sky Alpacas Dyed Cotton, tulip (615 white), 100% cotton, 150 yds/100g, 2 skeins
Sake/Salmon:
Blue Sky Alpacas Dyed Cotton, shrimp (609 med. pink), 100% cotton, 150 yds/100g, 1 skein
Blue Sky Alpacas Dyed Cotton, shell (606 pale pink), 100% cotton, 150 yds/100g, 1 skein
Rice:
Blue Sky Alpacas Dyed Cotton, tulip (615 white), 100% cotton, 150 yds/100g, 2 skeins

Finished Dimensions
hard box: 4.75" wide x 8" long x 4.25" deep
soft pack: 5" wide x 9" long x 3" deep
please note that box size varies from brand to brand

September 10, 2006

Knitty Gritty: Sushi for the Bathroom

Sushi for the Bathroom
Knitty Gritty Episode DKNG-411
Host: Vickie Howell

Sushikg

Behind the scenes: (California, part I, posted October 2005, and things to look for posted August 2006.

COLOR CHOICES
TV cameras have a hard time with certain colors, like solid black, white, and red.  To compensate for that, I chose yarn colors that would not wreak havoc on camera.  If you prefer, Blue Sky Alpacas Cotton in Tulip White and Ink Black can be used instead of the Bone and Fern Green.  In addition to camera-friendly, I chose colors from the available palette of Blue Sky Alpacas Cotton to keep it simple on the planning end. 
One of my Knitsters asked me what the “flavors” were - I didn’t have any in mind, honestly, I just went for colors that looked good on camera and together.  Personally, I love the bold graphic look of a solid red center against bright white, framed with black, which can be done with Blue Sky Alpacas Cotton in Tomato Red, Tulip White, and Ink Black.  The Bamboo Tank Runner colors were chosen with the same restrictions in mind; the original colors that I had selected didn’t work for television.  Feel free to change up the colors to suit your taste and decor!

TECHNIQUES
The Knitty Gritty producers like showing viewers new techniques and sharing tips and tricks, so rather than show the original Sushi TP Cozy as published in the premiere issue of Crochet me, I worked up a pattern using short rows for shaping, intarsia for the filling, and garter stitch to give it more texture.  The provisional cast-on and three-needle bind off provide the chance to show a couple more techniques that may be of interest to beginner knitters.
This does make sizing trickier than the original pattern, though.  If the sushi TP cozy in the show looks a little odd to you, it's because I didn't think to bring a roll of TP for it - it's being held up by a paint can which was not the same size as the TP roll.

WHAT'S UP WITH THOSE STEP-OUTS?
You'll notice that the step-outs (the step-by-step pieces) for the top were done with yellow and green yarn instead of the yarns used for the finished project.  Fewer stitches were cast on and a chunkier yarn was used so that the progress in the pattern could be shown more quickly.  This is something the producers have chosen to stop doing because viewers report that it's confusing!  It was too late by the time we shot my episode to change that for the top - guess who sat up late knitting full-size step-outs of the tank runner in the right yarns?

AAH!  SLOW DOWN!  or DO THAT AGAIN?
The demos in the show move really quickly - ideally, you would have a chance to download the pattern first and then watch the show.  You can check out the patterns and some still photos from each episode on the DIY Network website; the list of episodes is organized by season. 

VARIATIONS
You can get a perfect custom fit with a gauge swatch, measuring tape, fitting model, and a little math.  First, measure the diameter of the fitting model (across the top).  Divide that by 2 to get the radius.  Ex.: the diameter measures 4 inches.  4 divided by 2 = 2.  The gauge for the pattern is 20 stitches = 4 inches, or 5 stitches = 1 inch.  Multiply the stitches per inch by the radius (5 x 2 =10).  Add 1 for the edge (10 + 1 = 11).  The "filling" takes a little less than half of the space, so cast on 7 stitches with the white yarn and 4 stitches with the first filling color.  Work as the pattern instructs, adjusting the number of stitches to reflect what you have cast on (for the cast on of 11 stitches, work to the last stitch = k10, on the next row, k9, on the following row, k8, etc.). 
Don’t want to do a provisional cast-on?  You don’t have to - just do a long-tail or cable cast on, bind off the last row, and sew up the seam.  There are also other ways to do a provisional cast-on that you may prefer; I chose this method because the live stitches stay on the waste yarn when you undo the crochet chain, which may be helpful for knitters who get nervous when the live stitches are easily exposed.  You may have noted that I didn’t quite answer Vickie’s question about the scrap yarn used for the provisional cast-on.  She asked about matching the yarn weights and I stressed using a smooth yarn like mercerized cotton.  Ideally, you should use a scrap yarn in the same weight as the yarn being used in the pattern - in this case, worsted weight - but if you don’t have appropriate scrap yarn, you’ll be okay as long as the difference is not extreme (e.g. dk/sportweight will still work, fingering/baby weight will not).  Personally, I really like using satin ribbon, which won’t snag. 
If you don’t want to take on short rows, the original pattern can be done in the round or worked flat. 
Like doing short rows, don’t like the look of garter stitch?  You can work it as stockinette if you prefer - knit the knits, purl the purls. 
Don’t enjoy intarsia?  Work the top entirely in the rice color and then add the fillings in later.  Some alternate methods include duplicate stitch, embroidery, beads, and pieces of felt. 
The three-needle bind-off was another technique chosen with TV in mind.  You can get an invisible seam by grafting the first and last rows together.  The thought of demonstrating grafting on television gave me hives, so I chose the three-needle bind-off instead.  If you don’t like grafting either, you can do a long-tail or cable cast-on instead of the provisional cast-on, bind off the last row, and sew the seam together. 
For the Bamboo Tank Runner, the producers loved that the slip-stitch pattern created vertical stripes with just two balls of yarn - not a single bobbin in sight.  If the thought of working a slip-stitch pattern is just too much for you, a tank runner can be worked from end to end in garter stitch, alternating two colors every two rows. 
I used bamboo needles during the taping because they don't reflect light the way that metal needles do.  With cotton, I prefer using metal needles, but metal needles may be too slick for some beginners, so use whatever you are most comfortable with. 

SOME NOTES ABOUT THE YARN
Blue Sky Alpacas Dyed Cotton and Blue Sky Alpacas Organic Cotton are both 100% cotton worsted weight yarns.  The first thing most people say about this yarn is "oh, it's so soft!".  The Dyed Cotton is organically grown (that is, without agrichemicals) and then dyed.  Currently, there are 25 colors ranging from soft pastels to brights to earthtones.  The Organic Cotton is undyed (the colors are the natural colors of the plant), and are not bleached, making this a wonderful choice for babies and people with sensitive skin.  The colors will brighten and deepen with the first washing and have a beautiful depth and clarity.  You can find it online at Kpixie and Jimmy Beans Wool or you can use the Blue Sky Alpacas Store Locator.  If you'd like to substitute a yarn, any smooth worsted weight yarn in colors that you like will do.  If you are making the washcloth and bathmat and live in a humid climate, you may want to use a fast-drying acrylic or acrylic blend (see below). 

THE WASHCLOTH AND BATHMAT
Cotton - especially a double layer of cotton - will take a long time to dry in some climates.  The washcloth and bathmat should be hung up to dry between uses.  If you live in a humid climate, you may want to consider substituting an acrylic or acrylic/cotton blend yarn.

WANT MORE SUSHI?
Nigiri sushi baby wipe cozy pattern, available for download via Lulu - crochet version in progress.
My crocheted sushi pillow pattern is in Get Hooked, Watson-Guptill Publications, ed. Kim Werker
The original crochet and crochet/knit patterns, published in the premiere issue of Crochet me magazine
The entirely knit version of the original
Sushi jewelry and stitch markers from Amyville

LOVE IT?  HATE IT?  TELL THE NETWORK!
The show producers really want to get feedback from viewers, good bad and otherwise - during the episode I was in, things were getting changed during the shoot specifically because of feedback they'd been getting.  You can comment on the DIY Network message boards, the DIY Network Questions and Comments form, or email Screen Door Entertainment, the production company that does Knitty Gritty. 

The target audience is beginner level knitters - I know a lot of the viewers are more advanced and would like to see more complex, advanced techniques on the show.  Tell 'em! 

WANT TO BE ON KNITTY GRITTY?
If you'd like to be a Knitster or featured designer, contact Screen Door Entertainment.  FYI: because I do freelance work and have not published a book, I didn't have a publishing company to foot the bill for me - I paid my own expenses (airfare, hotel, food, etc.).  Because DIY is a small network and Knitty Gritty is a small show, this is likely to be the case for you as well. 

GOT QUESTIONS?
Ask away!

Lady Linoleum:"Do the knitsters ask canned questions or do they ask their own questions?"
Lady, how does half-canned sound?  If I'm remembering right, they were asked if they had any questions, some of the questions were chosen, I worked out an answer with the segment producer ("honey, do whatever puts the frosting on your cupcake" is not acceptable, btw), and the knitsters were cued to ask the question during taping.  psst - If you like crocheted eyeballs, be sure to catch Lady Linoleum's guest spots on upcoming episodes of Uncommon Threads!

Loretta: "I wish you had demonstrated the "Wrap & turn" and Life Wrap and Knit" I assume this is the decrease stitch but am having trouble making it work."

Loretta, I know we filmed a segment demonstrating the short rows - still haven't seen the episode, so I don't know that it was included.  There are some good demos on the web: 

* Knitty Summer 2003 "Wrap Your Mind Around This"
* Stitch Diva Studios Short Row Tutorial
* Knitwerk has a list of short row tutorials, in case those two above aren't enough.  The pattern uses wrapped stitch short rows, but you can use any short row technique that works for you!

If short rows are just too much, you can use the original knit version of the tp cozy pattern, which I worked up to accompany the Crochet Me pattern. 
 

August 24, 2006

DKNG-411

If you would like to see me try to knit without frowning, cussing, or saying the word "tacky", the Knitty Gritty episode Sushi For the Bathroom will air September 11 and 16th. There will be a new pattern up for sale that will tie in with the theme (available as a knit or crochet), and I'll have a little FAQ up for the patterns after the first airing - I really need to, as I'll be traveling from Sept 20 - Oct 4 with minimal internet access*. I didn't get the air dates until after I'd made my travel plans, and I'll admit that I don't mind running off and hiding shortly after appearing on national tv.

Things to watch for:
- Me trying to keep things less confusing by just knitting continental, but knitting eastern uncrossed, catching myself, and switching back.
- The little undercurrent of panic in me produced by trying to remember what I'm supposed to be doing while also trying to stand up straight (but not overwhelm petite host), smile (despite sleep deprivation), and knit slowly. Also I bet my bra was misbehaving, so don't look at my boobs (I know, now you are totally going to look at my boobs. How old are we?)
- Can you pick the segment that was shot on a different day? Hint: the segments were not shot in the same order that they will be shown in.
- Vickie having to smack me to get me back on track (um, no, I wasn't dozing off...)
- Vickie's shoes - she wears the cutest damn shoes and can stand in them all day long!

*Portland, OR and Seattle, WA - lys recommendations, snbs, meetups, etc. suggestions welcomed! I'm pretty familiar with both cities but have not been to Portland in a few years and I'm sure there are far more yarn shops than there were the last time I was there. I know that there are several internet cafes, but I'd rather spend my time with the people I'm visiting.

April 10, 2006

Knitty Gritty 400 series

Thanks to Michelle, I now know that the episode I appear in is in the 400 series.  I have no clue when the episodes will be airing (please, please let it be after tax season is over!), so don't tell my Mom yet.  Ooo my tummy doesn't feel good.  Going to stop thinking about it now...but I will say, check out the DIY Network listings for the upcoming 400, 500, and 600 series shows.  They sound awesome, and I can't wait to see them!  Viv is stocking up on vodka; she thinks I'll be needing it before, during, and afterwards.  I'll post a list of things to watch for (such as when I start knitting Eastern Uncrossed, catch myself, and start knitting conventionally again).  Oh, and I've heard from SuperGeeks.  My computer is going to have to go back to Apple for repairs*, but my harddrive is fine, so my personal superhero is rescuing my data - including the patterns I've been working on that tie in with the projects I did for Knitty Gritty. 

*I decided to get a second opinion, and I'm glad I did. If you'd like to know about my SuperGeeks experience, feel free to email me.

February 25, 2006

So About That Knitty Gritty Episode...

Well, I've got a better idea of why I've still not heard when the episode I appear in will air. Vickie Howell posted on her blog earlier this month about the network wanting to hold off on airing new episodes until October. Because the show is popular. Don't wtf at me, I'm right there with you! Vickie's blog has more deets and info on how to contact DIY if you are craving some new episodes and soon. And! She speaks of a Knitty Gritty book, to be published this November!

I'm not totally devastated about the possibility that my mother won't get to force everyone in the state to watch me try not to cuss on camera until later this year - I feel a little less pressure on myself to get a set of patterns ready for publication and sale. Plus I can work on disguises that will allow me to shop at a yarn shop incognito, ha ha. As I type, my hair is getting darker, thanks to the gloppy greenish goodness of the Lush Caca Brun I picked up a few days ago. I only needed one square and still had some leftover! This stuff has a powerful odor; my room has been all whiffy with it even though I had it sealed in a bag.
Lushcaca
The suspicious looking baggie on the left is the leftover caca that I shaved up and didn't need. I kept adding water and stirring and having it thicken up again. After smooshing it all over my head, I understand why Lush calls it caca (in French, "poo"). To add to the overall effect, I also have the Cupcake face mask on. I am a little overwhelmed by all the odiferousness, which, as I have a love for Aveda and Lush products, is telling you something.

For those of you noting all the product name-dropping I do on this blog and wondering if I am getting kickbacks or something - nope. But if Lush wants to send me heaps of product, they can email me. I'm going to go scrape my hair poo out now so that I can a) breathe comfortably and b) knit without fear of staining the yarn.

October 20, 2005

California III

Auntmarthakittens_1Friday morning, Faith greeted me with the full list of yarn shops - she was wrong, there are 53. [Keohinani, would you like the smelling salts now?] The tour began with the Garment ahem Fashion District and Michael Levine’s. Yow. The Fashion District alone is something else, a legend in the family (my maternal grandmother lived in Laguna Beach for a long time, working in the costuming department at UC Davis), and Michael Levine’s is, for a girl used to going to Fabric Mart, amazing. The novelty/retro print section alone could keep me occupied for hours. I stuck to remnants and came away with more fabric for the baby quilt and a bag of zippers ($2.00!), plus a pack of unintentionally hilarious embroidery transfers (Aunt Martha’s pattern no. 9180, Mischievious Kittens, with the days of the week and daily chores. On Tuesday, one kitten inspects the front of the iron, and the second stands behind it. I assume there’s an “accident” about to happen here. Same with Saturday and one kitten standing in the baking pan). Mlfabric Then we headed across the street to the Loft. It’s all $2/lb and random. VERY random. Sober corduroy? Check. Loud floral stretch polyester? Check. Reversible black/gold lame? Check! Want to see what 6 lbs of fabric looks like?Mlfab2 I came away with a bunch of twill, assorted shirting (the pink and white number came off the remains of a bolt which I shared with Faith - we are now bonded by pink and white shirting), and a couple of random pieces that are impractical but weigh hardly anything. Perhaps I should have gone for the sheer snakeskin with sequins after all? I’ve got enough fabric now to finish the baby quilt, the magic blanket, and the chocolate box quilt that I’m planning; surely I could find a use for sheer sequined snakeskin...


Amano Next stop, Santa Monica and A Mano Yarn (Michelle, I forgot to tell them you said hello - I blame the 40% baskets at the front and the sweet button selection). The shop is cozy and was declared friendliest shop at the WeHo SNB. I picked up the first issue of Knitscene, Second Time Cool (which I saw at the WeHo SNB), assorted yarns that I’ve been wanting to try and which were on sale (Southwest Trading Co. Soy Silk and Bamboo, Crystal Palace Big Net, and Rowan Cotton Braid), and an assortment of buttons (my weakness). The only part of the receipt I am interested in looking at is the part where it says I saved $28.28. I paid cash, so no surprises on the credit card Out of sight, out of mind. From A Mano, we headed to Stitches From the Heart. Every town in the world needs a shop like this one. The selection is nice, the prices are low, the staff and customers know each other well, and it’s a non-profit charity. They have great handcarved crochet hooks and knitting needles with little animal carvings on them, Mango Moon yarns for under $20 a skein, and a beautiful selection of needles overall (including hand-carved bone). I got two copies of Rowan r2 (the first issue) and two vintage Woman’s Day magazines: $11.00 total. Lunchtime had rolled around, so we found parking meter magic by the Apple Pan (finding street parking right by Michael Levine’s had been magical, but this parking meter was also broken and therefore free!). They have a short menu, which I always take as a good sign - what they do they most likely do well, and the burgers at the Apple Pan are indeed good. The counter service moves like a well-oiled machine - I just ordered what Faith ordered to keep it simple - and I’ve never seen ketchup leave a bottle so quickly. The hickory burger is excellent; I usually don’t go for bbq flavors but the smell in the joint was so good I had to try it, and I’m glad I did - a little spicy, with a nice smokiness, just a little sweetness. And the ambience can’t be beat. This is also where I noticed that Coca-Cola, especially Diet Coke, seems to be the drink that brings Los Angelenos together. Pepsi? What’s that?


We headed back to LA proper, stopping by the Knit Cafe on Melrose (cozy, charming, wound up buying the Lucinda Guy Handknits for Kids book because I couldn’t put it down), then the Hollywood Forever cemetary. Turns out Faith is also into visiting cemetaries while traveling, and the population of the immediate area is reflected in the heavily Eastern European Jew population of the cemetary, which is also big on the elaborate tombstones. Full size statue on a platform with an arch? Check. Photo engraving on the stone? What, you want to be the only one without it? Broken-hearted declarations of grief? Oh yeah. One of my favorites, pointed out by Faith, simply says “Mommies shouldn’t die!!!” [yes, multiple exclamation points, for all eternity] - I looked at the dates, expecting the tragedy of a young mother, and instead found that this Mommie had been closing in on a century of living. Of course, you can’t have Hollywood Forever without a few celebs, like Mel Blanc, Cecil B. DeMille, Jayne Mansfield, and Johnny Ramone. Jramone Johnny’s tombstone has it’s own spotlight, and immortal testimony from the likes of Eddie Vedder and Rob Zombie.

After the cemetary, Faith needed to get back to work, so she dropped me off and I staggered to my room, loaded down with fiber, my desire to play with yarn renewed. I had intended to go back out for dinner, but after fondling and photographing my purchases, I took a leisurely bath and spent the rest of my day swatching, sitting on the bed in front of the TV. I was asleep by 9 pm. It's true, people, I'm a well-preserved 80 year old.

SATURDAY: LA
After breakfast, I headed off to the LA Museum of Craft and Folk Art for the “Behind the Altar” exhibit of retablos and Tarfest exhibit of LA artists and pieces about life in LA.
My trip was capped off with one last small world/LA glam moment - my seat on the airplane was next to Stacey Quinealty of Carbon 9, whose fiancee is from Hawai’i. The Carbon 9 shows are reportedly something else - if you are into futuristic/industrial, you may want to check them out if you get the chance to.

The Teen will just have to content herself with knowing that I went directly to the Homecoming game from the airport. I missed the smile and wave parade, but did get to see her in dress and tiara...with sneakers. The dress is floor-length and she only wore the heels for the walk across the football field. The tiara is currently on display in the bathroom but her invisible tiara is firmly in place at all times, I assure you.

October 18, 2005

California II

LA: THURSDAY
Thursday was the day I just did not want to get out of bed, but after getting 4 hours of shut-eye I got up at 6, showered, put on makeup, and dragged my luggage down to go wait for my ride to the studio. The segment shot on this day is the one that I really hope I don’t sound cranky on. I considered resorting to caffeine, but that tends to mess up my focus, so I skipped it. Took a cab straight from the studio to West Hollywood, checked in at the B&B, had tea and toast, got situated, sat down on the bed, and woke up five hours later. I stayed at The Secret Garden bed and breakfast, which I found through searches online. The reviews are good (Brits in particular seem to be quite fond of the place), as well as the price and location. The Hilton has nicer furniture, but I didn’t want any more cold sterility during the trip. I’d been thinking of staying at the youth hostel in Santa Monica, which is cheap and in a good location for the area, but my experience with hostels in the US is that they tend to have a permanent population of locals, often in a not-so-charming way. I wanted to be able to close a door and have a bathroom to myself, but some human contact as well. Sunsetblvd
The B&B was just the right balance. It’s just a block or so off of Sunset Blvd, but right as you leave Sunset and start up Laurel Canyon, it goes from busy noisy street to quiet, upscale homes. The house is charming - a little old, a bit dusty in the corners, with sunny rooms and two cats. Raymond is just as charming, with a wealth of knowledge about how to get around and a penchant for tea. The next time I’m in LA, this is where I’m staying, despite breakfast. Don’t get me wrong - Raymond is a wonderful cook - but like my paternal grandmother, Raymond is a big believer in breakfast. I have never been much for breakfast. I skip it most days, have tea and toast or a muffin on some days. I still remember being 7, 8 years old, bracing myself for Grandmas regime of melon, juice, toast, cereal, and egg. Her French juice glasses were buckets with red tulips painted on the sides, red tulips that can still fill me with dread. Raymond would have gotten on famously with Grandma; Friday morning he was going to feed me stuffed French toast but I insisted on downgrading it to toast and tea, which meant two big slices of buttered toast, half a mango, and a bunch of grapes. It may not seem like much to you, but for me, that’s a lot. Sgbb3
I know - I was paying to stay there, but I didn’t want to let him down on the breakfast front (oh, Grandma would have adored him!). On Saturday, I gave in to his suggestion of an egg (Grandma had the same belief in getting some protein in the morning), and you know, give an inch and you get scrambled eggs, fried new potatoes, again the big pieces of toast, and a bowl of melon and grapes. Sgbb

Because of the way my schedule had worked out, I’d missed the Burbank SNB (Wednesday night) and hadn’t gone to Unwind (a yarn shop not far from the studio). The WeHo SNB is Thursday 7-10 pm at the Farmers Market, where I planned to meet up with Monster Crochet, making me immune to the siren song of the nice soft comforter.
I did manage to fit in the LA County Museum of Art, which is free after 5 pm. I also happened to be there while a bunch of galleries were closed while the exhibits were changed, but I took my time in the Lords of Creation Maya exhibit, which had a couple of beautiful textile pieces and a lot of exquisite carving. I took a little walk through Hancock Park and then headed back over to the Farmers Market.
It was great. The location is terrific; it’s in the community room so tables can be scooted together and you can bring up food from one of the many dining spots downstairs, and that includes alcohol. It’s a lively group, with a diversity of backgrounds and styles, very open and warm. I showed up with nothing - no yarn, hooks, needles - and left with a skein of vintage turquoise acrylic that someone (Julie?) had brought in and a crocheted swatch for a bracelet made with a hook Regina lent me. I met a bunch of people and unfortunately don’t remember all the names - hi, I’m delirious! Nice to meet you! I got to see Regina’s (Monster Crochet) turkeyzilla bag with drumstick pouch, by far the best use of Lion Brand Homespun ever, and her chicken hat. And, most blessed good fortune, Faith asked me if I wanted to check out some yarn shops the next day. I tell you, it’s like the skies opened up. Faith thought there were 45 yarn shops in the LA area, and a debate immediately broke out over which yarn shops would be best to visit. Do I have to tell you how fantastic that is? This was the first trip I’ve taken EVER where I wanted to go home within a week. I was so worn out after the KG shoot that all I really wanted was to be at home, goats and all. Things started perking up with dinner - I credit the tabouli and baba ghanouj - and only got better from there. Just you wait.

October 17, 2005

gift bag

Giftbag
A little peek at the gift bag that Stacy (Knitty Gritty crew member) put together for me. Squee!

California, part I

I'm getting out the teapot and cookies - this is going to be a long post, followed by more long posts (a little short on photos, though - bad blogster!). A note here - I'm still figuring out how TypePad works, so if you'd like to know more about the photos in this post, please go to the "travel" photo album in the sidebar (it's on the left, all the way at the bottom).

If wishes were horses, beggars would ride, and if I had my druthers, I'd be semi-nomadic. This was the first time in over a year that I'd been able to travel outside my day-to-day sphere and let me tell you, not even having to get time off from three jobs simultaneously (including one in which my boss was expecting a baby any day) and making my major credit card company really, really happy was going to stop me. I'd been a little hesistant about the trip (the part involving the credit card especially), but now that's it over I can say without a doubt that I'm glad I went. It was a whirlwind and a little like an alien abduction, but in a good way!

BURBANK
monday

Kingbed_2I left HNL early Monday morning, seriously sleep-deprived. The weekend had been much busier than I'd planned - did you know that highschool Homecoming Court involves a lot of practice? Yeah! Hours of practice, so that they can show up all pretty and wave! I have been learning that even wholesome, absurdly normal teenagers still involve a lot of work, especially when they don't drive, and even moreso when a particular teenager is doing the big round damp-eyed guilt trip because I would miss the Homecoming game even though I could make it back in time if I cut out the part of the trip that would be just for me and not for being all TV glam. Anyway. Back to the airplane. The Blue Sky cotton does shed just a bit (small price to pay for the softness), so I wore my hoodie backwards to protect my clothes and knitted most of the way to LAX, stopping to eat and to cough like a 15-yr old Victorian mill girl (the little floating strands of cotton have a way of going straight up my nose, too). Then I got on a shuttle to Burbank and knitted. Checked into the Hilton, called my segment producer, gazed longingly at the big, soft, clean bed, and kept knitting. The king-sized, fluffy, loaded with pillows, in dark climate-controlled room, totally verboten until a certain amount of knitting had been completed, bed. I had a suite, so I set myself up in the other room on the couch, where I could peek through the door at the big soft bed occasionally. The big, soft, all-for-me, no blankie/pillow/space stealers allowed, not even Viv. The bed, let me tell you, this bed was so comfortable that I didn't go to sleep immediately - I had to stay awake for a few minutes, just to appreciate the way I sank into the pillows. This is how glam my life is, people - getting a large bed all to myself = major highlight of my trip. Removing myself from that bed was not easy, but remove myself I did - to knit some more, and then head over to the studio.

tuesday
Hiddenknitter I love the backstage, technical aspect of things, and this was the first time I'd been on a television studio set. The crew is amazing! TV is magic, and as I learned from D&D, magic is a lot of work. From the outside, it looks kind of random and chaotic, but it gets the job done in a very fluid, rapidly evolving sort of way. It takes skill, teamwork, dedication, and a lot of energy. Vickie Howell is especially amazing - she has to stay on top of a big picture view, while making it all look easy (and she does it in fabulous shoes!). I got the mini-tour and watched part of the shooting of a segment (Debbie Abrahams) then started rehearsal, which meant knitting while talking and trying not to move my hands up and down vertically (it makes the camera unhappy when they are doing the KnittyCam). I met Brett Bara, who does a lot of work for Woman's Day, and got to check out the projects in her segment. Went back to the hotel, kept knitting. There was a lot of that.

wednesday
Stepout My official shoot day - this was the first week of shooting, so they started with one episode in a day, then two, and my day was going to be three, with mine being the last one, starting at 2pm. Fortunately, I like to hope for the best and prepare for the worst, so when the schedule had to change it wasn't a problem for me.

This was manicure day: I had never gotten a professional manicure before, so I took a cab from the hotel to Polished (it's over by the St*rb*cks) and faced down one more challenge for my tomboyish self - picking out a nail polish. I tried to find the most neutral, natural shade possible, and then took a seat for the most frightening part of the entire trip. Kids, I'm not joking. My hands are, quite literally, my livelihood, and the woman sitting on the other side of the table had an array of metal tools that included something that looks like a small pair of wire snips - when she picked those up, I couldn't watch. True to form, I managed to mess it up before I'd even left the salon, but it was just a little nick.

I do have one regret, which is that I was able to meet my knitsters very briefly while knee-deep in yarn, and didn't get a chance to hang out with them. It was totally jr high for a moment - I was going to try to talk with them at lunch, but their table was full, so I was going to catch up with them after we ate, and then I turned around and they'd disappeared and I didn't know which room they were in. Because the shoot ran late, we had to leave the building immediately and I again missed a chance to chat. No photos, either - my focus was elsewhere and I didn't think about it until it was too late. I got to chat briefly with Brett again, and to meet Lisa Ann Auerbach of Steal This Sweater. She was wearing a bunch of her knits, which everyone loved. Adding to the overall surreality, the studio we were shooting in has recently been acquired by Q TV News, really spicing up the mix. As for the shoot itself - I really don't remember too much. It went by really quickly! Vickie's outfit, shoes especially, looked as if it had been coordinated to my hair. Too good. Again, totally impressed by the crew. They are SO on it! And, um, remember my makeup concerns? Grace (I hope I'm remembering her name right) looked at me, said "oh, you'll be easy, just a bit of powder" and then she waved a big fluffy makeup brush over my face, flicked a little goop into my hair, and in under 2 minutes made me look like myself, just healthy, well-rested, and groomed. No tears or princess dabbing, but I'm still amazed - and I made a note of the products she used.

thursday
Starpower The scheduling change meant returning to the studio for a 7 am call time. It also meant I got the opportunity to meet Melissa Matthay and see her totally make a little old lady's day - she met a tv personality! Melissa used to own an upscale yarn shop in uptown Manhattan and currently owns The Knitting Tree in Madison, WI. She designs for upscale yarn companies as well as doing books, and she's a blast! I would love to be seated next to her on a long plane ride. Another bonus for coming in on Thursday was getting to meet and briefly chat with Jenna Adorno. Gush gush - she's incredible, very friendly, gave me a couple of great pointers, and I hope to meet her again someday when there isn't so much work going on. Still another bonus - I got to check out Vickie's new book, which is now in bookstores.

For the segment shooting itself - I really hope I managed to not look tired and cranky. Vickie and crew are such pros and I really wouldn't want to let them down. Bonus for you - you'll get to guess which segment was shot out of sequence!

Vivvie You might be wondering where Viv was during all this - true to form, she showed up long enough to elbow me about the hot production manager ("Vivvie, I'd like to be remembered as behaving like a professional, and what you're suggesting is definitely not in it") and then wandered off to check out a Q TV shoot and didn't turn up again until West Hollywood, smelling a little oversweet and complaining that since I've quit, she has to get her own ciggies, such a drag darling, couldn't I just pop round the corner and get her a pack, Fantasia Lights, you know what I like sweetie don't you?

next post: West Hollywood!